Marvel, Civil War #1-7
- Ampere
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Marvel, Civil War #1-7
Just picked this up (I haven't been keeping up with comics for a few years now, but this looked extra good) and read it cover to cover last night.
Man...beautiful art by Steve McNiven. The story was great.
Man...I love Captain America.
Man...beautiful art by Steve McNiven. The story was great.
Man...I love Captain America.
Quoth Drunken Master:
"When Colin Powell walks out of your cabinet because of doctrinal issues, you've got problems."
Quoth Moto42:
"Bulldrek, where love and appreciation are accompanied by a volley of gunfire."
"When Colin Powell walks out of your cabinet because of doctrinal issues, you've got problems."
Quoth Moto42:
"Bulldrek, where love and appreciation are accompanied by a volley of gunfire."
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- Demon
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Marvel has been doing surprisingly well lately, and I'd written them off for a long time. They're really ramping up the grittiness in their street-level comics (Moon Knight, Daredevil, The Immortal Iron Fist), but even the New Avengers has been picking up lately.
My favorite Civil War tie-in has to be The Illuminati, though. Awesomeness.
Yeah, I keep hoping Cap's not really dead and is masquerading as the new Ronin. Of course, I keep hoping every single character beats the living shit out of Iron Man for being a douche every single issue.
My favorite Civil War tie-in has to be The Illuminati, though. Awesomeness.
Yeah, I keep hoping Cap's not really dead and is masquerading as the new Ronin. Of course, I keep hoping every single character beats the living shit out of Iron Man for being a douche every single issue.
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- lordhellion
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Civil War got me back into superhero comics, which I had unofficially sworn off of for about a decade or so. It also gave me a lot of respect for characters I was never into before, like Cap, Ms. Marvel, and the Fantastic Four.
And Nick Fury's going to vaporize Stark first chance he gets...
And Nick Fury's going to vaporize Stark first chance he gets...
_No one was ever put in a history book for being a great conformist.
- Ampere
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I believe with my recent discovery of Civil War, it'll have the same effect.lordhellion wrote:Civil War got me back into superhero comics, which I had unofficially sworn off of for about a decade or so. It also gave me a lot of respect for characters I was never into before, like Cap, Ms. Marvel, and the Fantastic Four.
And Nick Fury's going to vaporize Stark first chance he gets...
Quoth Drunken Master:
"When Colin Powell walks out of your cabinet because of doctrinal issues, you've got problems."
Quoth Moto42:
"Bulldrek, where love and appreciation are accompanied by a volley of gunfire."
"When Colin Powell walks out of your cabinet because of doctrinal issues, you've got problems."
Quoth Moto42:
"Bulldrek, where love and appreciation are accompanied by a volley of gunfire."
- Jeff Hauze
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I'll wait until it's collected in a hardcover graphic novel. Honestly, I hate the comic book format currently. I want a big ass book to read. Not some flimsy piece of shit. When there's a storyline I like, I just wait for the whole trade paperback/trade hardback set to come out. I can grab like one or two books and read the whole thing. I wish they just did it that way from the start.
Screw liquid diamond. I want to be able to fling apartment building sized ingots of extracted metal into space.
It's quite possible that they will. TPB sales have been rising steadily for the last few years. Some books like The Walking Dead are only published in TPB format.Jeff Hauze wrote:I'll wait until it's collected in a hardcover graphic novel. Honestly, I hate the comic book format currently. I want a big ass book to read. Not some flimsy piece of shit. When there's a storyline I like, I just wait for the whole trade paperback/trade hardback set to come out. I can grab like one or two books and read the whole thing. I wish they just did it that way from the start.
Right now I don't collect individual books unless they come from small press like Avatar (where a TPB is in question).
Somewhat related, there is a big push to get all of the Hitman books collected in TPB because it looks like Ennis has a new run of the book coming out.
- Serious Paul
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(The following is not addressed at any one poster. It is just my own thoughts)
Fables is certainly a strong line, with it's own highlights and pit falls but it isn't comparable, in my mind, to what Civil War is supposed to be. (This isn't to say that Civil War, or events like Crisis live up to what they're supposed to be.) While I'd certainly recommend Fables to any one looking for a new title to pick up, I wouldn't be so quick to dismiss Civil War, or events like it.
I have something 7,000 comic books. Events like Civil War seem to have gone from once every few years to once a year, which kind of makes them lose their luster I know. But I do think that the story telling has improved over the years. Men like Frank Miller have paved the way for men like Brian K. Vaughn and Warren Ellis, who are some of the best story tellers in the business. Men like Jeph Loeb and Joss Whedon who transcend their medium-writing for comics, television, and more.
I think one of the saddest parts of comic books today is the obligation publishers seem to feel to continuity. While I agree it makes sense to have a few series that are bound to the core of continuity, it also seems to make sense to have a few places where artists can spin off and play. The Ultimates line, Elseworlds, and the like are fine examples. (Anyone who hasn't read the first hundred issues of Ultimate Spiderman has no idea what they're missing. It's freaking great.)
Now I am certainly am agreeable with anyone who says Civil War, like many events was hard to stomach because it was so big. 50 plus issues crossing what? 20 plus titles? That really is kind of a drag, especially for those of you who actually pay money for these issues.
However I do think there is something to be said for an event like this generating excitement, and change. All of this draws in new readers, which unfortunately is one of the big goals of the people selling comics.
I'll have to spend some more time thinking on this, and I'll post more later.
Fables is certainly a strong line, with it's own highlights and pit falls but it isn't comparable, in my mind, to what Civil War is supposed to be. (This isn't to say that Civil War, or events like Crisis live up to what they're supposed to be.) While I'd certainly recommend Fables to any one looking for a new title to pick up, I wouldn't be so quick to dismiss Civil War, or events like it.
I have something 7,000 comic books. Events like Civil War seem to have gone from once every few years to once a year, which kind of makes them lose their luster I know. But I do think that the story telling has improved over the years. Men like Frank Miller have paved the way for men like Brian K. Vaughn and Warren Ellis, who are some of the best story tellers in the business. Men like Jeph Loeb and Joss Whedon who transcend their medium-writing for comics, television, and more.
I think one of the saddest parts of comic books today is the obligation publishers seem to feel to continuity. While I agree it makes sense to have a few series that are bound to the core of continuity, it also seems to make sense to have a few places where artists can spin off and play. The Ultimates line, Elseworlds, and the like are fine examples. (Anyone who hasn't read the first hundred issues of Ultimate Spiderman has no idea what they're missing. It's freaking great.)
Now I am certainly am agreeable with anyone who says Civil War, like many events was hard to stomach because it was so big. 50 plus issues crossing what? 20 plus titles? That really is kind of a drag, especially for those of you who actually pay money for these issues.
However I do think there is something to be said for an event like this generating excitement, and change. All of this draws in new readers, which unfortunately is one of the big goals of the people selling comics.
I'll have to spend some more time thinking on this, and I'll post more later.
- Jestyr
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My assertion of Fables' superiority was silly and glib, in that it's a very different animal from Civil War and comparing the two is like comparing apples and oranges.
That said, Fables is still the single 'best' comic I've read so far, and I continue to enjoy it more than any other.
That said, Fables is still the single 'best' comic I've read so far, and I continue to enjoy it more than any other.
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Jeff Hauze: Wow. I think Jestyr just fucking kicked my ass.
Jeff Hauze: Wow. I think Jestyr just fucking kicked my ass.
I have no idea. I don't read comics regularly, so which things which people have done that I've read isn't something I generally know. I think I've seen some Authority and some Planetary, but I could just be remembering them from Paul's Wizard magazines.Daki wrote:What other works of his besides Transmet have you read before?
I enjoy his stories and how he writes. Each of his books has a different style and voice.
That is what I believe sets him apart from most other writers in the comics medium. He can completely re-invent how he tells a story.
You read Transmet and you get a Hunter S. Thompson future-realist story.
Global Frequency is a series of stories that take modern technology and theories and inter-twines them into a story about an organization that links the 1,001 greatest minds on the planey to deal with the threats. This is also the book that contains the best interpretation of what a cyber-zombie would be.
Planetary shows a darker side of the hero stories we all know. There is no way I can describe it more than that without giving up parts of the story.
Fell is a detective comic. No powers, no special abilities. Ben Templesmith (artist from 30 Days of Night) is drawing the book and it combines with the story to have the perfect atmosphere. Also of note is that this book broke a standard of the comic industry. Right now your basic comic is 22 pages + ads. Every story is written for that format. Fell is 16 pages with 6 pages of back-up (research notes, write-ups that continue ideas used in the story, etc). Other noteworthy item about Fell... each issue is self-contained. You can pick up any issue at any time and get a full story that doesn't require you to go back and read every issue before that. The trend in comics is for story arcs where your average person on the street can't just grab the latest issue and now what is happening.
Need to stick with Fell a little more because it illustrates a big point I want to make.
You have comic readers and everyone else. Over the last 50 years, the comic reading audience has continued to shrink to the point it is now... a niche market. Most creators and companies are focused on competing for the current readers out there. Ellis created Fell to see if there was a way to bring in new readers. Short, self-contained stories that have a shelf price of $2.
Ellis is a writer that creates very good stories but also does not cover the same ground over and over again. Brian Michael Bendis writes good stories too but they all read the same so you feel like you are getting the same story with different character names.
He's done a lot to make me want to be a writer from describing how you can develop an idea, to paying careful attention to the details so what the artist puts on paper makes sense. In Transmet, the cops and security officers wear visors, not glasses because it removes a human element from their face. Little things like that.
Long story, short answers:
I like him as a writer because ee has created some of the most realisitic sci-fi that I have ever read. In addition, he never sticks to a comfort zone and tries new ideas and techniques. Not all are great, but they are always interesting.
And the worship is because of everything else. His articles on writing, thinking about how to create comics that bring in new readers, off-shoots like Eddison Hate Future, Fast Fiction, creating communities for Writers and Artists to link up and create books of their own... it's a long list.
That is what I believe sets him apart from most other writers in the comics medium. He can completely re-invent how he tells a story.
You read Transmet and you get a Hunter S. Thompson future-realist story.
Global Frequency is a series of stories that take modern technology and theories and inter-twines them into a story about an organization that links the 1,001 greatest minds on the planey to deal with the threats. This is also the book that contains the best interpretation of what a cyber-zombie would be.
Planetary shows a darker side of the hero stories we all know. There is no way I can describe it more than that without giving up parts of the story.
Fell is a detective comic. No powers, no special abilities. Ben Templesmith (artist from 30 Days of Night) is drawing the book and it combines with the story to have the perfect atmosphere. Also of note is that this book broke a standard of the comic industry. Right now your basic comic is 22 pages + ads. Every story is written for that format. Fell is 16 pages with 6 pages of back-up (research notes, write-ups that continue ideas used in the story, etc). Other noteworthy item about Fell... each issue is self-contained. You can pick up any issue at any time and get a full story that doesn't require you to go back and read every issue before that. The trend in comics is for story arcs where your average person on the street can't just grab the latest issue and now what is happening.
Need to stick with Fell a little more because it illustrates a big point I want to make.
You have comic readers and everyone else. Over the last 50 years, the comic reading audience has continued to shrink to the point it is now... a niche market. Most creators and companies are focused on competing for the current readers out there. Ellis created Fell to see if there was a way to bring in new readers. Short, self-contained stories that have a shelf price of $2.
Ellis is a writer that creates very good stories but also does not cover the same ground over and over again. Brian Michael Bendis writes good stories too but they all read the same so you feel like you are getting the same story with different character names.
He's done a lot to make me want to be a writer from describing how you can develop an idea, to paying careful attention to the details so what the artist puts on paper makes sense. In Transmet, the cops and security officers wear visors, not glasses because it removes a human element from their face. Little things like that.
Long story, short answers:
I like him as a writer because ee has created some of the most realisitic sci-fi that I have ever read. In addition, he never sticks to a comfort zone and tries new ideas and techniques. Not all are great, but they are always interesting.
And the worship is because of everything else. His articles on writing, thinking about how to create comics that bring in new readers, off-shoots like Eddison Hate Future, Fast Fiction, creating communities for Writers and Artists to link up and create books of their own... it's a long list.
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- Demon
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I like Warren Ellis because he had balls back when a lot of people in the mainstream industry did not. He can bring the wow (check out the Authority, which is basically the JLA with cojones facing off against the Galactus scenario), he can bring the funny (NEXTWAVE, which is a bashing of Marvel from the inside), and he can bring the craziness with occaisional segues into real issues (Transmetropolitan, though it fell off a bit in later issues).
Personally, I liked a lot of what he did with magic-users, though his stints tend to be brief: Hellblaze, Hellstorm, Druid, Dr. Strange (basically gearing up for The Doctor in The Authority), Metalscream 2099 (nice little partnering with his old pal Disraeli from his Lazarus Churchyard days).
I dunno. I guess Warren Ellis characters just have different priorities. They're more human than a lot of other characters.
My favorite series of his of late is Desolation Jones.
Personally, I liked a lot of what he did with magic-users, though his stints tend to be brief: Hellblaze, Hellstorm, Druid, Dr. Strange (basically gearing up for The Doctor in The Authority), Metalscream 2099 (nice little partnering with his old pal Disraeli from his Lazarus Churchyard days).
I dunno. I guess Warren Ellis characters just have different priorities. They're more human than a lot of other characters.
My favorite series of his of late is Desolation Jones.
- Jeff Hauze
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I can understand people digging Warren Ellis. I can't quite understand why folks worship the ground he walks, outside of the fact that they all just want to bone him. He's no Michael Mann, people.
Fell has been pretty cool. I've dug the few issues of that I read (picked up, only because the artist from 30 Days of Night was on it). But Transmet makes me want to gag. It's always made me want to gag. It deserves nothing more than to be used to wipe one's ass with. I can't even comprehend how anyone ever followed that series. Please don't insult Thompson's name by comparing the two.
Fell has been pretty cool. I've dug the few issues of that I read (picked up, only because the artist from 30 Days of Night was on it). But Transmet makes me want to gag. It's always made me want to gag. It deserves nothing more than to be used to wipe one's ass with. I can't even comprehend how anyone ever followed that series. Please don't insult Thompson's name by comparing the two.
Screw liquid diamond. I want to be able to fling apartment building sized ingots of extracted metal into space.
- Serious Paul
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Other than Fell, none of the titles Daki mentions have impressed me. I don't think of Ellis as being the best writer out there, but he is certainly okay. I like a lot of his other stuff-most of the stuff he's created out of hat just sucks. (FEll being the exception, I think.) I like his work on the Thunderbolts, Ultimate Fantastic Four, JLA Classified and Iron Man.
But then I tend to be pretty harsh on Indie stuff, which a lot of his stuff qualifies as.
I don't follow anything he does outside of comic books, and don't really care, so I can't speak on that.
But then I tend to be pretty harsh on Indie stuff, which a lot of his stuff qualifies as.
I don't follow anything he does outside of comic books, and don't really care, so I can't speak on that.
- Jestyr
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Part of what makes Warren Ellis popular is the nature of the culture that follows him. Creators in sci-fi/spec-fi and other 'geeky' areas who are good at communicating with their fans tend to build up a large and loyal cult following. You can see the same sort of effect with Neil Gaiman and Wil Wheaton.
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Jeff Hauze: Wow. I think Jestyr just fucking kicked my ass.
Jeff Hauze: Wow. I think Jestyr just fucking kicked my ass.
- Jeff Hauze
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See, Gaiman I could understand at least. Then again, I wasn't a Gaiman fan because of his comic work (Sandman and the rest). I was a Gaiman fan because of American Gods and Anansi Boys. Especially American Gods.
Wil Wheaton...well, he spurned Animalball. He can rot.
Wil Wheaton...well, he spurned Animalball. He can rot.
Screw liquid diamond. I want to be able to fling apartment building sized ingots of extracted metal into space.
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- Serious Paul
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Speaking of Ennis, did you ever grab the full run of Hitman?Serious Paul wrote:Funny enough I've come to enjoy Gaiman's work outside of comics far more than I could ever enjoy his work in comics. (I can't think of any one title he's worked on that really stands out.)
There's a lot of new people I have come to enjoy, including someone I initially hated: Garth Ennis.
- Serious Paul
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- Ampere
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That makes sense. Like Javi minions and Joss Whedon fans.Jestyr wrote:Part of what makes Warren Ellis popular is the nature of the culture that follows him. Creators in sci-fi/spec-fi and other 'geeky' areas who are good at communicating with their fans tend to build up a large and loyal cult following. You can see the same sort of effect with Neil Gaiman and Wil Wheaton.
Quoth Drunken Master:
"When Colin Powell walks out of your cabinet because of doctrinal issues, you've got problems."
Quoth Moto42:
"Bulldrek, where love and appreciation are accompanied by a volley of gunfire."
"When Colin Powell walks out of your cabinet because of doctrinal issues, you've got problems."
Quoth Moto42:
"Bulldrek, where love and appreciation are accompanied by a volley of gunfire."
- Serious Paul
- Devil
- Posts: 6644
- Joined: Mon Mar 18, 2002 12:38 pm
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- Demon
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- Jeff Hauze
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- Demon
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- FlakJacket
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Uh, what the hell? Granted its been a while since I last read them, but didn't the last issue have a rather... ah, final ending to it? Although I suppose they could always just go for the lets set it previously/before the ending loophole. Left intentionally vague so as to not spoil anything.Daki wrote:Somewhat related, there is a big push to get all of the Hitman books collected in TPB because it looks like Ennis has a new run of the book coming out.
The 86 Rules of Boozing
75. Beer makes you mellow, champagne makes you silly, wine makes you dramatic, tequila makes you felonious.
75. Beer makes you mellow, champagne makes you silly, wine makes you dramatic, tequila makes you felonious.
There is definitely a Hitman story written but it is for JLA Classified meaning it can take place before the end of the series.FlakJacket wrote:Uh, what the hell? Granted its been a while since I last read them, but didn't the last issue have a rather... ah, final ending to it? Although I suppose they could always just go for the lets set it previously/before the ending loophole. Left intentionally vague so as to not spoil anything.Daki wrote:Somewhat related, there is a big push to get all of the Hitman books collected in TPB because it looks like Ennis has a new run of the book coming out.
Remember this is Garth Ennis. He could make it happen.